WHERE Hackmatack Playhouse, 528 School St., Berwick, Maine WHEN through Aug. 16 COST Adults, $25; se

WHERE Hackmatack Playhouse, 528 School los angeles mta bus lines St., Berwick, Maine WHEN through Aug. 16 COST Adults, $25; seniors, $23; students under age 15, $10; and Thursday senior special of $20 CONTACT (207) 698-1807 or www.hackmatack.org
It is the thing that flashbacks are made of. And laughs. Loud ones and lots of them. The clever inanity of "Monty Python's Spamalot" sets real and internalized los angeles mta bus lines adolescents cachinnating. There's nothing like the irreverent, sacrilegious and politically incorrect humor (the piece skewers sacred cows and gives one the heave-ho) to get the crowd going. los angeles mta bus lines Add a few good plague and flatulence jokes to the lot and Nirvana. The musical's book and lyrics are by Eric Idle, a member of the British comedy collaborative Monty Python, with music by John Du Prez and Idle. "Spamalot" features revered routines by Monty Python, from the 1975 movie "Monty los angeles mta bus lines Python and the Holy Grail," its television series and the film "Life of Brian." While the skits are strung los angeles mta bus lines together with a through-line Camelot's King Arthur seeking his knights, then together the Grail it's really about the collective funny bits. Hackmatack Playhouse's production does Monty proud. Every skit, miniscule to major, is a perfectly dressed, well-delivered joke; from the chanting monks and plague victims to the Lakers, the Lady of the Lake's show girls. Actors and production los angeles mta bus lines values make the best of the Vegas-Camelot, the Broadway show and multiple castle routines. The Knights who say Ni and the Killer Rabbit are what you hope for. The French Taunters, lead by the impeccable Jay Rodger, is sidesplitting, and is differently engaging, as is much of the production, for being delivered live. Director Mary Traochione's orchestration is what makes this production hum. Her vision perfectly suits both play and space. The traffic and staging reflect the work's zany character. Traochione los angeles mta bus lines also hits the perfect balance between breaking the fourth wall and playing it straight. Her casting is equally keen; each actor appears a natural in his or her role. Nick Iannotti is perfect as the clueless, sincere, stooging Arthur. Iannotti's discerning body and facial los angeles mta bus lines language los angeles mta bus lines is the right blend of ridiculous and commanding. Michael Stailey's Patsy, the peasant and coconut-clapping steed, brings an impeccable, engaging physical los angeles mta bus lines language to Arthur's companion, lighting up every scene he enters. His facial gestures are priceless. Everything about his performance is right. All the knights are as screwy and amazing as hoped for. Scott Smith delivers a legitimate Bedevere (and mighty fetching and funny Mrs. Galahad). Eric Rehm's Galahad is bang-on. His contrary and glam aspects are letter-perfect and his initial encounter with Arthur is a show highlight. Steve Small is outstanding as Robin. His delivery of "You Won't Succeed on Broadway," complete with fancy footwork, is delightful, and yet another standout scene. Jay Rodger rounds out the table perfectly with his picture-perfect Sir Lancelot the Homicidally Brave with the oh-so-tender heart, and of course there is the aforementioned taunting Frenchmen delivery. All the knights los angeles mta bus lines are equally flawless in the multiple characters they perform, slipping los angeles mta bus lines in and out of each persona with ease Tim the Enchanter, Brother Maynard and the psychotic Black Knight to name a few. Jennifer Batchelder distinguishes herself as the seductive and brassy Lady of the Lake with strong, storytelling vocals, powerhouse energy and overall sass-appeal. This lady latches onto a scene and doesn't let go. Jerard James-Craven makes the distressed Prince Herbert sing literally and figuratively. It's a captivating, ever so graceful, over-the-top portrayal. los angeles mta bus lines You too may fall in love. To a person, the Laker Girls and Ensemble Men contribute to and energize each scene. The cast's beautiful, collective voice and some sweet hoofing top off this show. "Spamalot's" super performances are strengthened los angeles mta bus lines by the outstanding overall production quality. Costume designer Fran Bechtold's collection is smart and thoroughly satisfying. She's created a rich, delightful plot with strong characterization that enriches both role and scene. Every horn, tunic and gown delights. Choreographer Christine Hounsell's los angeles mta bus lines routines are energetic and aesthetically pleasing. Michael Turner delivers the perfect illumination. And again, Jerard James-Craven has again created what the show needs in an interesting and pleasing way. Music Director Kim Parker and his talented band meet all the production's needs. los angeles mta bus lines "Spamalot" is a tasty collection of bits, delivered los angeles mta bus lines up by a troupe of enthusiastic and talented performers who are clearly enjoying themselves. That's a heck of a combination plate. It's most assuredly worth your discretionary time. Go, laugh out loud, and enjoy.