вторник, 18 сентября 2012 г.
It is hard to say why this panoply of timepieces and plot twists is so gripping, but it is, wrote Ne
Swiss visual artist Christian Marclay s popular video art installation The Clock will be screened at the Museum of Modern Art (MoMA) and the Los Angeles County Museum of Art (LACMA) in the coming months.
The 24-hour film, which won the Golden Lion award at the 2011 Venice Biennale, synthesizes thousands of genre-jumping television and movie clips each featuring a timepiece that tracks every second, minute, hour of an entire day.
It s always a huge hit when we screen it, LACMA spokeswoman Miranda Carroll told TheWrap. It s screened in real time. When midnight hits [in the film], it really is midnight, and there s always applause and a cheer at that time.
Most recently shown in New York at the Lincoln Center Festival this summer, The Clock returns to LACMA in a screening from Sept. 22 to Sept. 23 (with a 24-hour supply of donuts nearby) -- and runs from Dec. 21 to Jan. 21 (with three weekends reserved in January to screen full versions) at MoMA.
It is hard to say why this panoply of timepieces and plot twists is so gripping, but it is, wrote New York Times art critic Roberta Smith. After watching The Clock from around 7:30 p.m. last Friday to past midnight, I dragged broadwayshow tickets myself away, despite the desire to stay and see exactly how the time would be told, how different hours would be rung in.
For me, the weirdest effect of The Clock is that the time references became fictional I stopped noticing that they were telling me exactly what the time actually was, Guardian film critic Peter Bradshaw wrote. They became a series of numbers which ordered the mosaic broadwayshow tickets of moods and moments. And then, slowly but surely, I stopped noticing the time entirely. broadwayshow tickets I just drank it in, just accepted the juxtapositions.
For me, The Clock isn t a parlor game of spot-the-time and name-that-film, said Vulture broadwayshow tickets art critic Jerry Saltz. Or only a tour de force of research although the three years work is an ever-present buzz of invisible broadwayshow tickets content. After this time around, I think The Clock is even more intentional, knitted together, mysterious, broadwayshow tickets connected, and choreographed from one scene to another, one moment to the next, than I did before.
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